Dutch artist Woody van Amen studied at the Rotterdam Academy and taught there from 1970 onwards. He was a pioneer of abstract assemblage sculpture and pop art in its materialized concrete form. In 1961, he spent the entire year and the following year residing in America. Van Amen was able to draw inspiration from the legendary pop artist Andy Warhol during his stay in the United States. This gave him the thrust he needed to manifest his pursuit for pop art in sculpture. He came to the Netherlands after this trip and began working on his own style of assemblage sculpture. Despite his current popularity, he started out as humble as artists go by. One of his first works; Electric Chair (1964) wasn’t considered as art by the public and instead was seen as a medium whose intention was merely to mock.
In the 1970’s he traveled to both Southeast Asia and Switzerland to gain an oriental pull of influence for his sculptures. In 1993, he received the Chabot Prize from the Prins Bernhard Cultuurfonds or Prince Bernhard Culture Fund). In 2003, he also visited Singapore after recovering from a grave illness. It was there where he came across some Chinese flashcards signifying specific characters like Shuangxi or “doube happiness”. This observance directly influenced his style as well and played an important role in his development as an abstract artist.