Singapore’s recent fame with the art world isn’t just because of its status as a prestigious place to attend art auctions. The country’s own sculptors have a big impact on the global community as well. Now, let’s delve into the artistic life of Singapore’s Han Sai Por.
Han Sai Por is one of Singapore’ treasured artists. She studied at several notable art schools such as the Nanyang Academy of Fine Arts, East Ham College of Art, the Wolverhampton College of Art and the Lincoln University in New Zealand. Her sculptures reflect upon the eyes as very organic and natural in shape. She plays with the theme of life and the role that natural design plays in our world. Han’s very first exhibition; Four Dimensions was held at the National Museum Gallery in the early 1990’s.
Sculpture by Han Sai Por – Photography by Stefano Sartor
Han founded the Sculpture Society of Singapore at the turn of the millennium, and was the very first resident sculptor of the organization’s sculpture Pavillion at Fort Canning Park. It was there that she leaned on her taste for organic sculpture even more and created masterpieces from the trunks of Tembusu trees. Despite this, she is known much more for the stone sculptures that she creates to portray natural wonders like the birth of seeds and the spirit of nature. Han is a sculptor who has achieved more in her lifetime than most artists could ever dream of. She was awarded the Cultural Medallion for Art in 1995 among several other recognitions that were given to her during the course of her career.
Many people say that the art of each person is completely unique, this is because what defines an individual person’s art is also what defines that individual. Upbringing, history, locations and surroundings all affect the artist in a manner that shapes his art as well as his ability to conceive ideas.
Today let’s take a look at Brazilian sculpture and where the modern era of art is taking them. Sculptors in Brazil have currently evolved beyond the Neogothic, Deco and Art Nouveau movements already and are in fine tuning with contemporary themes such as minimalism and surrealism. In 1951, the São Paulo Art Biennial was one of the ground breaking events that gave abstract sculpture the push it needed in the Brazilian community. Max Bill, a Swiss sculptor was the gold winner for the competition during that year.
Sculptures by Franz Krajcberg – Photography by Sam Emerick
Since then, abstract sculpture has grown into more modern themes in Brazil, however the people’s preference fro figurative resemblances did not vanish along with the trends of the past. They incorporated this into many of their contemporary works, even with subtle hints or meaningful symbolism plays. Pop art and Neoexpressionism were among some of the artistic movements that gave abstract sculpture its diversity in the country in 1960. These days, several Brazilian sculptors have made their way into the international art scene. Some of the popular artists include Francisco Brennarnd, Sergio de Camargo and Willys de Castro. Brazilian sculpture continues its journey to transform the local art community into an assemblage of noteworthy personalities that can teach younger generations their wide appreciation of art and design.